So shoving a microphone straight down the bell of the horn isn't always the best way to do it.ADAM HILL: Imagine a triangle, where the top of the horn and the bottom of the horn and the mic and make an equilateral triangle. Do Not Sell My Info (California Residents). DEAN GIAVARAS: Sometimes, you'll see very elaborate miking set-ups where two mics are used. Apart from the shop, you can discover a wide variety of additional things - forums, apps, blogs, and much more. As a company, we have a single objective: making you, our customer, happy. That can be for more of a dirty rock-and-roll sax sound instead of the prettier picture that rounds off the edges with a farther-away condenser.FRANK GILBERT: For saxophones, I almost always use a dynamic mic live. Sometimes you want something real roomy. Dynamic Microphone For vocals, toms and brass instruments, Polar pattern: Supercardioid, Frequency range: 50 - 16,000 Hz, Output impedance: 150 Ohm, Dimensions (L x Ø): 160 x 43 mm, Weight: 275 g, Includes microphone clamp and bag. Copyright © 2009-2020 Shure Incorporated. Notwithstanding its size, it offers an enjoyable delivery of service when in use. Varytec VR-260 Video Ring Light LED BiLight with integrated rechargeable battery; perfect video and photo ring light with adjustable color temperature and countless mounting possibilities for tripods, mobile devices and cameras. In this post, we're going to turn the spotlight on an essential instrument in the horn section: the saxophone. One of Jimmy Fallon's biggest loves is the musical portion of the show, which is why he chose to bring along his friends from The Roots to continue as the house band on this new version of The Tonight Show. Fun Facts: It might surprise you to know that the saxophone hasn't been around that long compared to other instruments. And while Adolphe didn't live to see his dream of the saxophone as an orchestral instrument realized by the turn of the last century (his prickly personality didn't win him many champions), the saxophone was firmly established as a military band instrument. Hear what the Shure PG ALTA PGA98H sounds like! My preference is the good old SM58. Alternatively, please feel free to use our accounts on social media such as Facebook or Twitter to get in touch. Microphone Set USB studio large diaphragm microphone with USB connection for direct operation on the computer, No additional drivers required, Directional characteristic: cardioid, Frequency response: 30 - 18000 Hz, Sensitivity: 25 mV / Pa, Max. Miniature Instrument Microphone The Shure Beta 98H/C is a high-quality, permanently polarized condenser microphone with cardioid polar pattern, which can be attached to the bell of wind instruments or to the hoops of drums or other percussion instruments. Contoured frequency response for clear instrumental and sonorous vocal recordings, Decrease of percussion, drums and instruments amplifiers in professional quality, With a permanently polarized condenser capsule, Ideal instrument controlling eg for toms, snare, percussion. A condenser mic has good transient response, so it captures the high frequencies well with less of a hyped response in the highs and mids. ADAM HILL: I've even miked a big, honkin' baritone sax with a room mic, pretty far away and combined it with a close mic, obviously making sure that the phase is good. The ISOLO CHOICE Saxophone Microphone holds the record for being the world’s smallest wireless microphone system. I'm really thinking about baritone sax here. Any open hole on the instrument also produces sound. It's a conveniently small condenser microphone that works really well, but in either case, you have to make sure you don't have someone who roams a lot.ADAM HILL: I usually start with a condenser mic, a large or a small diaphragm condenser. There are a lot of mixes when I just use the Blumlein technique with a horn trio or quartet. Our expert departments and workshops allow us to offer you professional advice and rapid maintenance and repair services. This kind of multiple mic approach is not unheard of, but it's much rarer. It's flatter through that range, which can be more pleasing. MATT DEFILIPPIS: My favorite sax mic is an SM57. We have a wide variety of pages giving information and enabling you to contact us before and after your purchase. That's a miking technique still used today. Shop Holiday Savings. November 25, 2020, Linda Hansen | Even though the mic is a condenser, it's small, very directional and the gooseneck attachment enables you to position the capsule far enough inside the horn that the bell will shield feedback potential a bit. The bell at the end of the saxophone produces only a part of the sound. For instance, I've noticed that Joshua Redman uses a clip-on mic so he has the freedom to move around and get that super-impactful sound from the bell, and a second stationary mic for ballads and more detailed passages that he might walk up to. Integrated, adjustable stand adapter with integral XLR connector for easy installation and maximum flexibility. Thomann is the largest online and mail order retailer for musical instruments, light and sound equipment worldwide, having about 10m customers in 120 countries and 80,000 products on offer. That was school. Rugged and durable for live use, precise and consistent for studio work. I especially like the darker KSM32 on baritone sax. To help us do it, we've turned to a …. A Beta 27 sounds really good to me, too.FRANK GILBERT: In recording situations where bleed and feedback are not issues, I have had excellent results with large diaphragm condensers such as the KSM32 or its multi-pattern cousin, the KSM44. That's how I get the best saxophone sounds. I read Recording the Beatles and realized how handy the rejection in the null point can be. Shure … DEAN GIAVARAS: I also like ribbon mics on horns, more in recording but in live applications as well because they're a lot more durable than most people think. DEAN GIAVARAS: That's the crux of miking a saxophone well: recognizing and acknowledging the fact that the sound is a column of air that moves through the horn from the mouthpiece to the end of the bell. They're reacting to what's coming out of the horn. Position:   A few inches from and aiming into bellNotes:   Minimizes feedback and leakageShure Models:KSM137, SM81, SM137, SM57, Position:   A few inches from sound holesNotes:   Tends to pick up fingering noiseShure Models:KSM137, SM81, SM137, SM57, Position:  A few inches above bell and aiming at sound holesNotes:   Good recording techniqueShure Models: KSM137, SM81, SM137, SM57, Position:   Miniature microphone mounted on bellNotes:   Maximum isolation, up-front soundShure Models:Beta98H/C. Payment can be made safely and securely with Credit Card, Bank Transfer or PayPal. Compact Small Diaphragm Condenser Microphone With interchangeable capsules for all types of instrument recording, Lateral recording for unobtrusive positioning, Polar pattern: cardioid, Frequency range: 20 - 20,000 Hz, SPL: 149 dB max. With the direct mic and the room mic, you can adjust the balance when you are mixing.ADAM HILL: Using a couple of nice condensers in a Blumlein configuration is really cool. A Shure associate since 1979, Davida Rochman graduated with a degree in Speech Communications and never imagined that her first post-college job would result in a lifelong career that had her marketing microphones rather than speaking into them.